03/24/2026 | Press release | Distributed by Public on 03/24/2026 09:24
|
DOWNLOAD HI-RES IMAGES & CHECKLIST HERE
DOWNLOAD ARTIST HEADSHOTS HERE
BENTONVILLE, AR. - Crystal Bridges Museum of American Art announces a significant group of new acquisitions and commissions of contemporary Indigenous art, reinforcing the museum's ongoing commitment to championing historically underrepresented artists and expanding the narrative of American art. Led by Jordan Poorman Cocker , curator of Indigenous art and NAGPRA officer at Crystal Bridges, these acquisitions bring together nationally celebrated voices and leading regional artists whose work explores identity, sovereignty, memory, language, community, and cultural continuity.
The acquisitions come as Crystal Bridges prepares to unveil its historic expansion, led by Safdie Architects, and revolutionize the art museum experience, opening June 6 and 7, 2026. Crystal Bridges will expand access to five centuries of American Art by adding another 114,000-square-feet of new space and showcasing a transformed way for visitors to interact with every part of the building - facilitating surprise and delight, joyful learning, and ever-broadening American stories. Crystal Bridges sits on a 134-acre campus along with Heartland Whole Health Institute and Alice L. Walton School of Medicine .
"Indigenous art is foundational to every American art collection. Throughout this reinstallation and expansion, I am questioning what American art is and who decides. Expanding Crystal Bridges' collection of Indigenous art reflects years of intentional work, sustained relationship-building, and deep trust, especially with those who have produced new commissions for the collection," said Poorman Cocker. "It's important now, more than ever before, to elevate and celebrate artists, communities, and diverse histories that connect us as human beings. Today, this long-term commitment is helping set a new precedent for what it means to thoughtfully steward, present, and support Indigenous art within an American art museum context."
The new acquisitions include works by several acclaimed artists, including Jeffrey Gibson, whose interdisciplinary practice merges Indigenous aesthetics with global pop culture and political text to examine identity and power. His 2024 work The Enforcer, continues his bold visual language of pattern and color. Nicholas Galanin, 2024 Don Tyson Prize for the Advancement of American Art recipient known for incisive conceptual works that confront colonial narratives and institutional authority, joins the collection with I think it goes like this (memory and interference) (2024) and Unconverted / Converted (2022), two works that interrogate systems of translation, erasure, and cultural disruption. Kent Monkman's monumental 2023 painting Saving the Newcomers brings his signature history painting practice to the collection, reimagining traditional American historical narratives through a sharply critical, Indigenous lens.
The museum has also acquired Trade Canoe: Making Medicine II (2024-2025) by the late Jaune Quick-to-See Smith, one of the most influential Indigenous artists of the past five decades, whose work has reshaped the field of contemporary Native art. Raven Halfmoon's commanding ceramic sculpture Caddo Woman Warrior (2021) asserts presence and power through scale and material, while Caddo artist Jeri Redcorn's commissioned works, including Sheyahtse, Warrior and pieces from her Daho Nutte (Three Sisters) series, reflect a deep commitment to the revitalization of Caddo ceramic traditions. Teri Greeves, renowned for translating contemporary Native experience through intricate Kiowa beadwork, has created a new commission for the museum, Gkou Stah Gyah, Gyah Sta'ah Gyah (2025).
Among the regional artists newly represented in the collection is Addie Roanhorse's Eldest Daughter (2025), which reflects her practice of highlighting intergenerational strength and contemporary Osage matriarchy. Kelly Church, a fifth-generation basket maker, brings deep material knowledge to Sustaining Traditions: Basket of Resilience(2024), continuing her work revitalizing ancestral black ash weaving traditions while emphasizing the protection of natural resources central to Indigenous life. Cherokee Nation artist Jane Osti's 2024 ceramic vessels, including The Abundance, A Sacred Fire, and Spirit of Survival, draw upon storytelling traditions to explore place, ceremony, and the enduring relationship between land and community.
By investing in both iconic and emerging Indigenous artists, Crystal Bridges continues to build a collection that reflects the richness and breadth of American art, past, present, and future. Please see below for a complete list of Crystal Bridges' Indigenous art acquisitions and commissions.
Jeffrey Gibson , The Enforcer, 2024
Teri Greeves , Gkou Stah Gyah, Gyah Sta'ah Gyah , 2025 (commission)
Nicholas Galanin
Kent Monkman , Saving the Newcomers, 2023
Jeri Redcorn (commissions)
Lehuauakea , Still Finding My Way Back Home, 2025
Jaune Quick-to-See Smith , Trade Canoe: Making Medicine II, 2024 - 2025
Raven Halfmoon , Caddo Woman Warrior, 2021
Addie Roanhorse , Eldest Daughter (2025)
Bobby C. Martin , The Guardians (2025)
Jane Osti
Roy Boney
Kelly Church , Sustaining Traditions: Basket of Resilience (2024)
Brenda Mallory , Recurring Chapters in the Book of Inevitable Outcomes ( ᏗᎪᏪᎵ ᏂᎦᎵᏍᏔᏂ ᎢᏳᎵᏍᏙᏗ ᏗᏯᏙᎸᎢ ᏱᎦᎵᏍᏔᏁᎩ ), 2015
Ryan RedCorn , Acquisition of 5 Large-Scale Portraits
Lola Cody , Two Grey Hills, 2025
|
|