06/26/2026 | News release | Distributed by Public on 06/26/2026 15:51
The Office of Arts & Culture worked with SMU DataArts to examine the financial and operational health of Portland's nonprofit arts and culture organizations. The report, released today, provides a comprehensive look at how local arts organizations have adapted through the COVID-19 pandemic and in subsequent years, while highlighting both the strength of Portland's creative sector and the challenges that arts organizations continue to navigate.
Portland's arts organizations continue to demonstrate creativity, adaptability, and a deep commitment to serving our community. This detailed report provides valuable information to help us better understand the conditions facing our nonprofit arts sector and make informed decisions about how public investment can support a thriving creative ecosystem.
The report analyzes data from 79 arts and culture organizations in Portland that received General Operating Support from the Office of Arts & Culture and compares local trends with more than 6,800 organizations nationwide.
Key findings from the report include:
"The data confirms what we hear from arts organizations across Portland: the sector is resilient, but organizations are operating in a challenging financial environment," said Chariti Montez, Director of the Office of Arts & Culture. "This information will help guide our ongoing efforts to support arts access and strengthen the nonprofit organizations that make those experiences possible."
These findings will inform future grantmaking strategies, program development, and efforts to support a sustainable and accessible arts ecosystem in Portland. In July, the Office of Arts & Culture will begin accepting applications for its redesigned Operating Support Grant program, with applications due in September.
View the full report and learn more about the Office of Arts & Culture's grantmaking programs.
The image on this page is from 2026 Biamp Jazz Festival, featuring Delbert Anderson with Acosia Red Elk, photo by Tim Labarge.